Shutter Island

之前的“影评”,谈到我在看一部电影时,会想起它的同类,这次没有这种情况,我实在没能想到 Shutter Island 的同类。刚开始的时候我想到 Seven,因为是涉及精神病人的”警匪惊悚片”,然后发现不是那么回事,因为焦点不在罪犯本身,而是男主角,再往后我想起了 Hannibal ( or The Silence of the Lambs ), 因为涉及 Psychiatrist 自身的犯罪,结果我推翻了这个观点,因为影片不是要寻找隐藏在自身深处的问题,而是只是在陈述一个故事,或者阴谋(男主角最后的一句话让我确信这是场阴谋)。几部电影随着剧情的发展不停地在脑海里闪烁,当主角到 C 区地下室独自寻找目标时,我一度想起了 Silent Hill,Oh My God…

It’s a … quite a thriller, one of its kind.

这年头难得找到自成一类的电影,而且是由实力派的大明星去拍。记得某位足球明星喜欢穿17号,我问友人为什么,友人说,这意味着是10号 + 7 号,实力派 + 偶像派,现在除了 Brad Pitt,又多了一个 Leonardo DiCaprio,这敢情是好。

庄生梦蝶,知周之梦为蝴蝶与?蝴蝶之梦为周与?本来是极好的意境,却被人以私有之目的加以利用,此断非暴力可简单解决的问题(所以 Warden 在 Jeep 上对男主角说的那段话有点跑题)。

Outlaw

年纪渐长,每看一部“新”电影时脑海里就会浮现自认为同类别或同题材的其它电影,上一次是 American Gangsters,  一位拥有梦想与魄力的英雄被迂腐的体制击溃,让我想起了 Lord of War, 这次是 Outlaw,让我想起了 Punisher, Max Payne, Boondock Saints, 乃至 Fight Club。因公力救济的天然不足,私力救济是有尊严的生存的必要非充分条件,我原以为只有国人才会因千年精华之糟粕而隐忍不发(所谓“顺民”是也),殊不知此乃人类之共性,哀其不幸、怒其不争的事例每天依然在各时区同步重复上演,直至你遇到 Danny Bryant, Tyler Durden 这样的教父级人物,用直白乃至激进的语言来让你直面惨烈的鲜血,以及腐朽的灵魂。与具有魔幻及哲学色彩的 Fight Club 相比,Outlaw 更注重对现实的还原,本来应该是一个完整的悲剧,后来不知道因为要顾及什么,反角终于被残留的正角杀死了,可惜了,但其对心理转变的刻画的细腻程度在开头所列诸影片之上,Punisher, Max Payne 是暴力美学,与其说是 Fight Club 的延伸,还不如说是 Ghost Rider 的苗裔,Boondock Saints 拼命往宗教上靠,结果沦于浅薄,只有 Outlaw 是与 Fight Club 遥相呼应的。

我国人文之源流在春秋战国,尚武之源流在大秦,古时文人,胡服骑射,不在话下,李白、王之涣都是击剑的高手,唐降以来,文人渐趋弱质,顺民源源不断,直到明亡,才出现一些为信仰而不畏牺牲的大汉子民,但满人居正之后,又一顺到底了。人嘛,本没有那么复杂,你搞我,我就肯定要搞回你,前阵子新闻报道,一位花季少女被一个流氓奸杀了,证据确凿,女孩父亲要求判死刑立即执行,但最后判了死缓,再往前阵子,杭州七十码事件,实际上就是赔钱了事,大概当事人们都没怎么看过《有话好好说》,姜文拿着菜刀对着大老板刘德龙狂吼:“有我在一天,那手就不是你的!”身边好友张师兄、Jerry Wong者,一位是“言必称希腊”的跆拳道黑带,一位是通 N 国语言的合气道资深大师兄,皆深谙此中道理。

Who's the Bad Guy

American Ganster  Lord of War

I. 这个世界总有那么些人,每个月拿着死工资,却在每天用尽心机去破坏别人用智慧与魄力建立起来的事业,而他们自己却自称高尚,难道他们不知道他们的BOSS 跟他们每天斗争的对象是同一种人么?

窃钩者诛,窃国者诸侯。

II. 男人只要功成名就到一定程度,就可以娶得心仪的任何女人,他们之间不需要形而上的交流,只须一起享受物质极大丰富之后的乐果,一旦事业大厦灰飞烟灭,女人也随之飘红远去。所以,英雄总是寂寞的。

Storm Warriors II

最大的感触是从第一部到第二部这十年的时光流逝,片子本身只是对当时少年情怀的一种回味而已(想当初是电影、游戏兼顾啊)。片中没有必要的点缀太多,比如步惊云新刀法的名字(叫什么名字重要么?),还有两位女配角(根本对剧情的发展没有任何影响,而且台词是那么的陈旧无力)。p.s. 谭耀文的演技成熟了不少。

Storm Warrios II

The Banquet

Since it’s a Chinese movie, I think it’s better to comment on it in Chinese. However, it’s followed by an English translation.

Click to Enlarge

The Confucian said, "of all the people, women and servants are the most difficult to behave to. If you are familiar with them, they lose their humility. If you maintain a reserve towards them, they are discontented", which indicates that women often change their minds, but from my point of view, that’s not the case. The hearts of women are not, as the meddlesome say, visional like the flower in the mirror and transient like the moon in the water, they are the same as that of the men. The reason why they are seldom comprehended is the existence of the androcracy. The men are above the women, and treat them as if they were so docile, but men are over conceited on this, had the Queen Chen(aka A-Jiao) of of Han Dynasty a dagger in hand, the Emperor’s situation would be in serious danger. Back to the movie, the coup Emperor first raped the Queen mentally and later the body, so the seed of hatred was naturally and consequently planted in her brain.The coups by the Emperor Wu Ze-tian of Tang Dynasty and Empress Dowager Ci Xi of the Qing Dynasty were not accidetns, they were the fallouts of the androcracy in China’s society. Being one of the thousands of concubines, one had to be crafty to survive the system, or it would devour her, just like the old Chinese adage says "Every man for himself, and the devil takes the hindmost". The movie has over emphasized on the evilness of human nature, which’s bullshit, it’s normal to have an evil heart when in such a turmoil, which was reckoned by my ancient Chinese fellows as the aftermath of the failure on moral education, but I think the failure of the system was the true reason.

The Last Hangman

Although death is often showed in the clip, but certainly not the point that director wants to talk about. It’s about what does he do and the fallouts. You can never put away the sufferings with your eyes shut, it may seem to be working sometimes, but never truly is, for they are just accumulating secretly, waiting in the dark corner for the time to overwhelm you at one blow, for Mr. Pierrepoint, that’s the time when he eventually had no way to separate the two: his job and his life, like he always did, cause the convicted was his only intimate friend, his old pal.

"Leading them to the gallows and pulling the trigger is one thing, but standing with them and seeing the absolute death in their eyes is another." This physically easy but metally torturing job was reckoned as a dirty and filthy or even guilty one, "you will have no luck for the rest of you life", by the ignorant mass, thus clearly not suitable for anyone who tries to have a peaceful life.

Anyhow, it’s indeed very hard to "approach his grisly duties with pride, professionalism and a stoical detachment", which makes him quite a admirable man differs from the groceries delivering lad he used to be.

 

p.s. Aye~ Do I miss the English accent!

Hard Candy

If he was a pedophile, then I don’t see there’s problem with Hayley’s punishment. But the question is, she never got a single piece of  evidence that convincing enough to prove he was the one.
 
This’s the first 2-person film I watched, there was a similar one whose most story also happened in a small place, called "Treed Muray", though inspiring, but this one’s shocking and nearly drove me to the extreme, it got me sweat.
 
I think the director did a good job on creating a continuous tense and explosive situation.
 
The western directors are getting smart now, you will never know what it will turn out until the end.
 
I don’t think I will meet with any teenage girl on the internet from now on. The film’s such an antidote.
 
Some net-pubs around my campus classify it as a horror movie, which’s bullshit. Don’t be misguided, guys.